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Uploading Desktop. Up to 10x better download speed. You should install it for sure. His Masters Voice PhotoHis Master's Voice - Wikipedia, the free encyclopedia. For the entertainment retailer, see HMV. His Master's Voice, abbreviated HMV, is a trademark in the music business and was for many years the name of a large British record label. The name was coined in the 1. His Masters Voice L=kitty![]() His Master's Voice; Hayes, Middlesex, GB manufacturer in GB, Model types from Great Britain, 369 radios, 1053 pictures, 701 schematics, tubes, radio. His Master's Voice, abbreviated HMV, is a trademark in the music business and was for many years the name of a large British record label. The name was coined in the 1890s as the title of a painting of a dog named Nipper. His Masters Voice model 5. 'THEY START THE VICTROLA' 1914 BILLY MURRAY Victor 78rpm Record Played On Victor III Phonograph - Duration: 3:56. MusicBoxBoy 33,262 views. 이솝<Aesop> 고대 그리스의 우화작가(寓話作家). 《이솝 이야기》의 작자로 알려졌다. 이솝은 아이소포스(Aisopos)의 영어식 표기인데, 헤로도투스에 따르면 BC 6세기 사람으로. 4/29/15: Considering how quiet it is in the ballpark, Gary Thorne compares it to the calm of the Masters Golf Tournament Check out http:// for our full archive of videos, and subscribe on YouTube for. Find great deals on eBay for his masters voice his masters voice nipper. Shop with confidence. ![]() ![]() Nipper, listening to a wind- up gramophone. In the original painting, the dog was listening to a cylinder phonograph. The painting[edit]The trademark image comes from a painting by English artist Francis Barraud and titled His Master's Voice. It was acquired from the artist in 1. Gramophone Company and used on Victor Records and Monarch in the U. S.[1] According to contemporary Gramophone Company publicity material, the dog, a terrier named Nipper, had originally belonged to Barraud's brother, Mark. When Mark Barraud died, Francis inherited Nipper, with a cylinder phonograph and recordings of Mark's voice. Francis noted the peculiar interest that the dog took in the recorded voice of his late master emanating from the horn, and conceived the idea of committing the scene to canvas. The logo[edit]In early 1. Francis Barraud applied for copyright of the original painting using the descriptive working title Dog looking at and listening to a Phonograph. He was unable to sell the work to any cylinder phonograph company, but the Gramophone Company purchased it later that year, under the condition that Barraud modify it to show one of their disc machines. The image was first used on the company's catalogue dated December 1. In July 1. 90. 0, the gramophone's inventor, Emile Berliner, took out an American copyright to the picture, and it was adopted as a trademark by the Consolidated Talking Machine Company, which was reorganized as the Victor Talking Machine Company in 1. Victor used the image more aggressively than its UK partner, and from 1. Victor records had a simplified drawing of Barraud's dog- and- gramophone image on their labels. Magazine advertisements urged record buyers to "look for the dog."In British Commonwealth countries, the Gramophone Company did not use the dog on its record labels until 1. The following year the Gramophone Company replaced the Recording Angel trademark in the upper half of the record labels with the Nipper logo. The company was not formally called HMV or His Master's Voice, but was identified by that term because of the prominence of the phrase on the record labels. Records issued by the company before February 1. G& Ts, while those after that date are usually called HMV records. This image continued to be used as a trademark by Victor in the U. S., Canada, and Latin America, and then by Victor's successor, the Radio Corporation of America (RCA). In Commonwealth countries (except Canada) it was used by subsidiaries of the Gramophone Company, which ultimately became part of EMI. The trademark's ownership is divided among different companies in different countries, reducing its value in the globalised music market. The name HMV is used by a chain of music shops owned by HMV, mainly in the UK, Ireland, Canada, Singapore, Australia, Hong Kong, and Japan. In 1. 92. 1 the Gramophone Company opened the first HMV shop in London. In 1. 92. 9 RCA absorbed Victor, and with it a major shareholding in the Gramophone Company, which Victor had owned since 1. In 1. 93. 1 RCA was instrumental in the creation of EMI, which continued to own the His Master's Voice name and image in the UK. In 1. 93. 5 RCA sold its stake in EMI but continued to own Victor and the rights to His Master's Voice in the Americas. HMV continued to distribute RCA recordings until RCA severed its ties with EMI in 1. EMI to purchase Capitol Records. RCA Victor's Japanese subsidiary, the Victor Company of Japan (JVC), became independent, and today they still use the "Victor" brand and Nipper in Japan only.[3] In late 1. RCA introduced a modern logo and restricted the use of Nipper to the album covers of Red Seal Records. The trademark was reinstated to most RCA record labels in the Western Hemisphere beginning in late 1. RCA advertising throughout the late 1. The dog reappeared for a time on RCA television sets and was also used on the RCA CED videodisc system. EMI owned the His Master's Voice label in the UK until the 1. HMV shops until 1. In 1. 96. 7, EMI converted the HMV label into an exclusive classical music label and dropped its POP series of popular music. HMV's POP series artists' roster was moved to Columbia Graphophone and Parlophone and licensed American POP record deals to Stateside Records.[4]The globalised market for CDs pushed EMI into abandoning the HMV label in favour of "EMI Classics", a name they could use worldwide; however, it was revived between 1. Morrissey's recordings. The HMV trademark is now owned by the retail chain in the UK. The formal trademark transfer from EMI took place in 2. The old HMV classical music catalogue is now controlled by the Warner Classics unit of Warner Music Group.[6] Reissues of HMV pop material that EMI previously controlled are now reissued on Warner's Parlophone label.[7]The dog- and- gramophone image is now licensed by RCA Records and RCA Victor's parent company, Sony Music Entertainment, from Technicolor SA, which operates RCA's consumer electronics business (still promoted by Nipper the dog). Thomson SA bought the business from General Electric in 1. GE bought RCA.[8] The image of "His Master's Voice" exists in the U. S. as a trademark only on radios and radios combined with phonographs; the trademark is owned by RCA Trademark Management SA, a subsidiary of Technicolor. With that exception, the "His Master's Voice" dog- and- gramophone image is in the public domain in the U. S., its trademark registrations having expired in 1. Nipper worldwide[edit]The "His Master's Voice" logo was used around the world, and the motto became well known in different languages. In Europe these include "La voix de son maître," (France), "La voz de su amo" (Spain), "A voz do dono" (Portugal), "La voce del padrone" (Italy), "Die Stimme seines Herrn" (Germany), "Husbondens Rost" (Sweden), "GÅos Swego Pana" (Poland), "Sin Herres Stemme" (Norway) and "Sahibinin Sesi" (Turkey). On 1 April 2. 00. HMV announced that Gromit, the animated dog of Wallace and Gromit, would stand in for Nipper for a three- month period, promoting children's DVDs in its UK stores.[9]The 1. LP album cover of Elvis' Golden Records shows pictures of various RCA 4. Nipper on their labels. On the British version, these images were blacked out for copyright reasons. This type of editing took place with many other RCA releases in England. Similarly, the album covers and some labels of EMI imports which were sold in the U. S. often had a sticker placed over the Nipper trademark. In the 1. 94. 6 Warner Bros. Looney Tunes cartoon Daffy Doodles, Daffy Duck is a "mustache fiend" who draws mustaches on advertising signs, including one of "His Master's Voice". The movie Superman Returns (2. Kansas, in which a "His Master's Voice" radio is clearly shown. His Master's Voice radios have never been sold in the U. S., due to RCA holding the "Nipper" copyright. The movie was made in Australia, and the nearest "prop" was obviously used. In the 2. 00. 8 film Valkyrie, a Deutsche Grammophon recording of "Ride of the Valkyries" with Nipper and the "Die Stimme seines Herrn" motto on the label was shown spinning on a 7. Homage is paid to the iconic dog- and- gramophone image in the 1. Wild Wild West in which a dog resembling Nipper runs to the side of a recently departed character and looks into an ear horn. The film, however, is set in 1. Barraud created his work. The name HMV is still used by the chain of entertainment shops founded by the Gramophone Company in the UK and Canada, which continued to expand internationally through the 1. In 1. 99. 8 HMV Media was created as a separate company, leaving EMI with a 4. The firm bought the Waterstones chain of bookshops and merged them with Dillons the UK booksellers. In 2. 00. 2 it floated on the London Stock Exchange as HMV Group plc, leaving EMI with only a token holding. HMV shops in Australia, Ireland, and the UK also use the Nipper trademark. HMV applied for trademark status in order to use Nipper at HMV stores in Canada but in 2. Nipper in Canada are part of the RCA brand portfolio now owned by Technicolor SA and licensed to other companies. As of August 2. 00. HMV stores worldwide.[1. The website is operated by HMV Guernsey. On 1. 5 January 2. HMV Group plc entered receivership; stores in Ireland closed 1. January 2. 01. 3 and were no longer accepting vouchers. The HMV website posted a receivership notice and no further online sales were made.[1. According to the HMV website, the organization was restructured by Hilco and, while some stores were closed, it has reopened debt- free and continues to trade. See also[edit]References[edit]External links[edit]. Kyss Mig / Kiss Me and Carol booocita; 67 videos; 311,717 views; Last updated on May 25, 2016; Kyss Mig a swedish lesbian film (2011); Mia & Frida. Watch Kyss mig online - MIA (Ruth Vega Fernandez) and FRIDA (Liv Mjönes), both in their thirties, meet each other for the first time at their parents' engagement party. Kyss Mig Mia (Ruth Vega Fernández) y Frida (Liv mjones), ambas treintañeras, se conocen cuando el padre de Mia va a casarse con la madre de Frida y éstos celebran. Trailer WITH EVERY HEARTBEAT (Kyss mig) 2011. from LEBOX PRODUKTION. 5 years ago. MIA (Ruth Vega Fernandez) and FRIDA (Liv Mjönes), both in their thirties, meet each. ![]() Küss mich - Kyss mig (2. Edit. MIA (Ruth Vega Fernandez) and FRIDA (Liv Mjönes), both in their thirties, meet each other for the first time at their parents' engagement party. Mia's father, Lasse (Krister Henriksson), is about to get married to Frida's mother, Elizabeth (Lena Endre), which will make Mia and Frida stepsisters. Lasse's daughter, Mia, has not visited her father in years and arrives with her boyfriend, Tim (Joakim Nätterqvist), with whom she is about to get married. As Mia and Frida get to know one another, strong emotions begin to stir between them. Their relationship will turn everything upside down for everyone close to them with dramatic consequences. Kyss mig (original title) Not Rated | 1h 45min | Drama, Romance | 29 July 2011 (Sweden) A young woman. Title: Kiss Me (2011) 6.9 /10. Want to share IMDb's. A review of “Kyss Mig. So when I saw the trailer for Kyss Mig, I was intrigued but worried. If you were too, read on, as I am about to shatter your doubts. Kyss Mig love scene - Duration: 3:45. Rukia4194 7,310,604 views. 3:45 My Blind Brother Official Trailer 1 (2016) - Adam Scott Movie - Duration: 2:35.. . Kyss mig), is a 2011 Swedish drama film directed by Alexandra Therese Keining. The film won the 'Breakthrough Award' at the 2011 AFI Festival.. Written by. Anonymous. Plot Summary|Add Synopsis. A review of "Kyss Mig"Remember the little lesbian classic Imagine Me & You? Of course you do. Now picture it but as its grown up version and you get Alexandra- Therese Keining’s stunning Kyss Mig. This is the first feature length film since Show Me Loveto come out of Sweden with a lesbian storyline, if you can believe it! I shall forward this review by highlighting how tired I am of seeing a woman married or about to get married to a man who catches the eye of an actual lesbian, falls for her, but has to deal with the whole “am I gay, what does this mean†conflict. Tired I tell you. So when I saw the trailer for Kyss Mig, I was intrigued but worried. If you were too, read on, as I am about to shatter your doubts. Here’s what you need to know: Mia (Ruth Vega Fernandez) and Tim (Joakim Nätterqvist) are on their way to Mia’s estrange father Lasse (Krister Henriksson)’s birthday and engagement party. Elizabeth (Lena Endre), Lasse’s bride to be is Frida (Liv Mjönes)’s mother. Not long after joining the party, Mia sets eyes on Frida. In an attempt to get to know one another, Lasse arranges for Mia to spend time with him, Elizabeth and Frida on a remote island. Never the reliable one, Lasse doesn’t show and so begins the Mia/Frida love affair. Now, as I have mentioned, Alexandra- Therese Keining does something with her screenplay that no other lesbian film of this genre had the guts to do thus far: She gives her characters enough depth and reasoning for this whole love affair to not only feel real, but to also keep her audience members (like me) away from sheer annoyance, feeling like this is “one of those films again.†The way it stands out is by answering questions and dealing with issues completely and honestly. Tim isn’t painted as a bad guy, nor is their relationship particularly bad. Mia is actually bi- sexual and has been in love with a woman before. Her relationship with her dad is flawed, distant but is dealt with realism. Frida has her own relationship to deal with, just as Lasse and Elisabeth struggle with theirs. A real conflict and search for balance is developed in order for Mia and Frida to be together that doesn’t solely revolve around being gay or in another relationship. All the characters are three dimensional, truthful and thus all make sense in their choices. Keining hasn’t just created a lesbian love story, she’s painted a touching family portrait, too. Kiss Mig is incredibly reminiscent of a number of lesbian films, including Imagine Me & You for its subject matter and some of its scenes, D. E. B. S. for its ending, When Night is Falling for its visually breathtaking cinematography. The casting is spot on, the chemistry between the female leads is electric (and for sure they are both ridiculously good looking!), the music uplifting, and it’s funny and heartbreaking enough to make this one of your new favorite movies. I should highlight the sex scenes — tremendous, sensual, stunning and simply sexy! Kyss Mig is as honest as it is beautiful. A real tour de lesbian force! Kyss Mig is doing the festival rounds and will be released through Wolf Video later this year in the US, and through TLA Releasing in the UK on July 2. The FP 2012 DVDRip XviD DiSPOSABLE from Torrentreactor Music database. Hash: 78318b0443cd3153f8a282bbb22ca8c90572ed15. Contact us; F.A.Q; Advanced search Search. The FP 2012 DVDRip XviD DiSPOSABLE from Torrentreactor Movies database. Hash: 2302ea48a6a976a0b404bf74ca76ed838915744e. Contact us; F.A.Q; Advanced search Search. The bourne legacy 2012 dvdrip xvid disposable; the bourne legacy 2012 dvdrip; the gangster squad 2012 dvdrip xvid max; dl the guilt trip 2012 dvdrip xvid sparks. The bourne legacy 2012 dvdrip xvid disposable; red lights 2012 dvdrip xvid disposable; 7500 2012 dvdrip xvid disposable; monsieur lazhar 2012 dvdrip xvid max. ![]() VPN news, reviews and comparisons 3. 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La consciencia de la razón se supera mediante la entrada en el mundo de los sueños, ese universo desconocido y misterioso, cuyos confines explorarán nuestros protagonistas hasta alcanzar el fantástico reino donde vivir sin lÃmites su amor. II. Lo que la historia esconde. Estructurada en tres partes, la historia se ordena en un tiempo lineal y cronológico en el que se desarrolla la vida de la pareja protagonista. La primera parte transcurre en los jardines de dos lujosas mansiones de las afueras de ParÃs donde pelean y juegan un niño de ocho años, Gogo (Dickie Moore), y una niña de seis, Mimsey ( Virginia Weidler). La intensidad de la discusión infantil sobre el uso de unas tablas para construir un carro o una casa de muñecas, constituye el germen nuclear de las personalidades y sentimientos de ambos personajes. Sus vidas parecen separadas por la disputa infantil, pero unidas por el destino. La forma cinematográfica con que se resuelve este aspecto psicológico y embrionario de los personajes se evidencia en la secuencia que muestra a los dos niños caminando y discutiendo cada uno a un lado de la verja separadora de los dos jardines. Al fin la verja se acaba y no tienen más remedio que encontrarse frente a frente, hecho que se repetirá en el encuentro de los mismos personajes adultos. La empatÃa y complicidad entre los pequeños se revela en las lágrimas de Mimsey ante la soledad y el dolor de Gogo por la muerte de su madre, en sus manos entrelazadas, y en el intento de huida de los dos niños a un lugar secreto y alto cuando la familia materna del huérfano se lo lleva a Londres. Es muy significativo el crick- crack como recurso para comprobar la atención de los niños, ante el relato maravilloso que les cuenta el viejo mayor, sentados los tres en un banco del jardÃn. El crick- crack resultará ser también un medio mnemotècnico para abrir la puerta de la memoria y posibilitar el reconocimiento de los personajes en el futuro. El comentario de los dos adultos que contemplan la desesperación de Gogo ante la inevitable separación de su amiga refuerza y consolida la tesis de que los conflictos y la personalidad se generan en la infancia, y sus huellas se graban en la memoria para siempre: —TÃo de Gogo: El amor desesperado de los niños ¿habrá algo que se olvide antes?—Madre de Mimsey: Yo dirÃa que es lo último que se olvida…En la segunda parte encontramos a un Gogo adulto, que ahora se llama Peter Ibbetson (Gary Cooper), convertido en arquitecto. Es una persona introvertida, solitaria y singular, que se siente vacÃo, aburrido e insatisfecho. Uno de sus jefes, el señor Slade (Donald Meek) tiene la clave del sufrimiento de Peter. Su ceguera le confiere un carácter clarividente y oracular, en posesión de un conocimiento de lo oculto que se evidencia en sus palabras y consejos: La felicidad está dentro de uno… veo cosas que nadie sabe… No se ve sólo con los ojos…Su discurso alude a la fuerza de la mente para imaginar mundos tan reales como la vida misma, universos onÃricos que se muestran como formas alternativas de percepción del mundo, como forma de conocimiento que trasciende la razón. Se trata de un espacio interior que se reclama como lugar donde se encuentran las respuestas y el propio destino: —Slade: ¿Qué te pasa?—Peter: No lo sé.—Slade: No lo comprendes porque nunca has mirado dentro de ti. Sea lo que sea, es inútil escapar. Peter es un personaje vacÃo, melancólico e inmerso en la obscuridad de la niebla londinense, que se expresa con negaciones o dudas, como si no tuviera voluntad. Un viaje a ParÃs le devuelve la sonrisa junto con los recuerdos de su niñez, y el azar de un encargo profesional le pondrá de nuevo en contacto con su antigua amiga, convertida ahora en la esposa del duque de Towers. No es casual que el duque sea un excelente jinete y domador de caballos, esas criaturas que simbolizan la zona instintiva y la intuición del inconsciente. Su perfil lo hace representante del aspecto más racional y convencional del ser humano, en contraste con su mujer, mucho más flexible e intuitiva. Asà quedan bien delimitados los dos territorios en que se sitúan los personajes del triángulo: el marido frente a los amantes en una situación imposible. La secuencia cinematográfica en que se plantea el conflicto es una muestra del talento del director y de sus guionistas. Sentados los tres a la mesa, en una cena formal y en un espacio suntuoso, la frase pronunciada por el conde no puede ser más directa: ¿Cuánto tiempo lleva enamorado de mi mujer? Mientras la tensión dramática se dispara hasta el lÃmite, el tono pragmático y trivial del conde contrasta con las connotaciones trágicas de la situación y de las palabras de los amantes. La fatal adversidad anuncia el inminente desastre. Otra vez Peter y Mary se sienten atrapados por el destino y sus circunstancias. Tras su declaración de amor incondicional y eterno, esta parte concluye con un plano de las manos de ambos unidas, como cuando eran niños. La tercera parte nos lleva a la prisión donde se encuentra un Peter condenado y lleno de dolor y desesperación. Tendido en el jergón, con la sombra de las rejas de la cárcel sobre su cuerpo, aparece como un ser enfermo sin más deseo que la muerte. Su infortunio y la tristeza de su rostro contrastan con las chanzas de los presos, que se mofan de él como si fueran las voces de un coro de tragedia griega: Esta noche está citado con la duquesa… están unidos por cadena perpetua… Soñará con ella…La conexión psÃquica de los amantes se manifiesta en la percepción de un sufrimiento común y en la posibilidad de tener el mismo sueño, lo que propicia el encuentro en esa región de la mente depositaria de los deseos. Un anillo se transforma en evidencia de la realidad del mundo onÃrico, tan verdadero como el otro, fÃsico. En el sueño, los amantes alcanzan la libertad y son felices en un mundo perfecto en su belleza y armonÃa, recuperando asà los juegos perdidos y las huellas de su niñez. En este edén de luz y claridad todo es posible gracias al poder creativo de la ilusión que hace posible cualquier utopÃa. Hermosos e impecables en su mundo maravilloso, Peter y Mary, sueñan para vivir y viven para soñar. La incredulidad de él es eliminada por la energÃa espiritual de ella, de modo que el conocimiento intuitivo vence definitivamente al racional. En este universo edénico el único peligro es dejar de soñar o dejarse llevar por el miedo a perderlo. El amor salva todos los obstáculos, incluida la muerte, que, cuando llega, permite la unión de los amantes en otra esfera de una realidad distinta y compleja, inaccesible para las mentes lógicas. En este mundo, creado por el amor infinito, no existen muros ni rejas que evoquen la imposibilidad de entrar en regiones desconocidas, ni pantanos que predigan el fracaso y la muerte, como los que sirven de fondo a los créditos iniciales. En cambio, los lagos funcionan como espejos que reflejan el misterio de lo que está oculto, la conexión entre los superficial y lo profundo. El relativismo de la realidad y de su percepción subjetiva se confirma en las palabras de Mary: ¿Quién puede decir lo que es real y lo que no lo es? Las de Peter, convencido de la verdad de sus sueños, son más explÃcitas: …parece un anillo, pero son las paredes de un mundo. Dentro de él está la energÃa de los deseos. Está ella. Todo conduce a ella, todos los caminos. Nuestro mundo. La elegancia de la luz. Si algo se puede decir de Sueño de amor eterno es que es una pelÃcula esencialmente elegante. Y lo es por la sobriedad de su planificación y el trabajo de iluminación de uno de los fotógrafos más brillantes del cine en blanco y negro: Charles Lang. A este profesional debemos agradecer que algunos filmes alcancen la categorÃa de obras de arte. Su participación en El muelle de las brumas, de Marcel Carné (1. Le Havre, en un espacio mágico, desde el realismo, la magia del cine soñado. Escribe Gloria Benito. Audio Jakarta The Biggest Audio Mobil Store - Web Online and Installer Audio Mobil Terlengkap: Kantor Operasional : Gedung MGK JL. Angkasa Kav. B - 6 LT. 5. 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